I am a Writer right?

Chuck Wendig, the bearded writer guru and gnarly writer, published a great blog over on his kick ass blog Terrible Minds called ‘A Reminder Of What Makes A Real Writer’.  In it he makes this very true point:

‘There exists no one way to write any one thing, and as long as your writing has a starting point and an ending point, I think whatever shenanigans go on in the middle serve you fine as a process as long as it gets you a finished book heavy with at least some small sense of satisfaction. If you’re not finishing your books, you need to re-examine your process. If you’re not at all satisfied with your work, then again: re-examine that process.

And that’s it.’

And it is..so why the hell writers struggle so much to own it? Why do we look to others to give it definition?

There’s a bit of heated conversation going on about whether having a degree gives you that tick of approval from society and peers, a magical That’ll do, little writer, that’ll do moment where you will suddenly be seen as the artist you are.

Yeah, sorry guys it’s not gonna happen.

A degree is great but when you graduate you still have to get a job and if you are lucky enough to get a job in say, publishing, (and these are few and far between, especially in Australia) you’re still going to be put on the same wage as someone working in retail. I recently saw a job for a publishing assistant where they wanted someone with a degree and minimum 2 years experience… for a wage I used to get in customer service. A degree might help you get a job but its not going to necessarily help give you writer validation.

My point is no one is ever going to give you the “I AM NOW A WRITER” moment and a degree, job in publishing, or a book out won’t always help either. I know this from experience. I’ve been writing full time for fifteen years and have written twelve books and it has only been in the past two months that I’ve been able to say ‘I am a writer’ when people ask what I do, not ‘I work as a contractor for the government…and I also write a bit.’ I had this moment not when any of my books came out, when I saw them on a shelf in a bookshop, not when people have been repeating it to me over and over again over the years. This moment came when I rang a recruiting company about a contract for content writing and the consultant I talked to said, “Your resume looks like an Administrator resume. You need to write it again and put all that experience you just told me about at the beginning.” And I had to sit down and really go through the process of spelling out all the experience I do have in black and white. At the end of it I was like, “Fuck me, I AM a writer.” I had been doing the job thing all wrong over the years believing I was an administrator and not a writer. I don’t think I am the only one out that does this to themselves.

I recently read a great book by indie powerhouse Joanna Penn called The Successful Author Mindset. In it she talks about having to use “I am a writer” as a kind of mantra until she believed it. She even starts the book straight up with self doubt and imposter syndrome because every author on earth feels it:

‘Embrace self doubt as part of the creative process. Be encouraged by the fact that virtually all other creatives, including your writing heroes, feel it too with every book they write.’

I personally don’t read a lot of self help for writers type books but I have huge respect for Joanna Penn and this book really helped me out to realign my brain in a time I needed it (Derek Murphy also gives really good advice for writers and his courses are fantastic and have helped me alot).

I still need to go back and read these chapters regularly because I’ve started writing a new book that scares the shit out of me. I’ve tackled some big ones before but this is next level for me. There is a lot of research involved and has the tingly potential to end up being the best thing I’ve ever written or a heaving pile of crap. Its terrifying and intimidating and its helping me grow and write in new ways. DO I think I have the talent to do it justice? Hell no. Am I going to do it anyway? Hell yes.  Because that’s what makes us writers right? We give up our social lives and our rec time and we work unsatisfying jobs to pay bills while we hustle words and try and write the ones that scare us and helps us grow and maybe makes us money.

So what if were are anxious and insecure and feel like we are walking down the street naked every time we release words into the world that will judge us..we are writers its how we operate.

I am not going to be around too much in the next few weeks, I am going crazy full editor mode to get Eastern Gods, my new YA Fantasy book, all ready to pitch to Kindle Scout. The thought of releasing this one soon is pretty exciting as it was the first book I ever wrote that I was really proud of. It’s taken a lot of work to get it up to scratch and I’m stoked how it has come together. I’ll tell you guys more about it when I get closer to knowing dates and have a cover to share.

In other Amy book world news, Wylt is going well so check it out if you dig gothic romance, and Cry of the Firebird is on a price drop for those who want grittier, urban fantasy with lots of Gods and monsters.

Also, if you want something short, steampunky and based in an alternative Australia check out my new short story a Women in Men’s Waistcoats.  It’s a lot of random fun.

Keep writing you crazy beautiful writers,

A xo

 

 

 

Origins of WYLT : The Blood Lake Chronicles

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Wylt’s launch is one week away! Thank you to all of the lovely ARC readers who have given me feedback in time for me to fix a few formatting mistakes so the finished copy is perfect.

This blog is going to be as spoiler free as possible but I wanted to share with you how Wylt came into being. Like many of the more interesting things I’ve done it started with a dare.

My best friend and I go through ‘Monster Porn’ stages where life and study becomes so full on that the only books we can consume are romance. Usually with monsters, sometimes with time travelling knights and aliens with questionable anatomy.

The below video by the wonderful Rachel Hollis is a pretty accurate representation of every conversation we have during our romance binge phases:

We were going through such a phase which included me complaining about how disappointing I’d found a top selling vampire romance when the bestie said, ‘You should write one.’ I laughed hard. I have romance elements in my stories but write a full-blown romance? That was a completely different genre. Then she said the magic words ‘I dare you.’ And I agreed to give it a shot.

Writing romance is a strange and wonderful experience. I recommend that every writer try it at least once. There is a definite formula to it but the things you can do within that formula are fantastic. Structurally it has a different beat to every other book I’ve written and I cannot thank JamiGold and her wonderful Beat Sheet Guides for keeping me from wandering off.

I knew I wanted to have a classic gothic feel but with a modern setting, I wanted vampires but a new take on them (I hope you like my new origin story) and I wanted an older female hero that was no nonsense. I was tired of reading stories of 20 something innocent (or highly damaged) girls that you find so often in such novels. I wanted someone real thrown into a world that she thought she knew and then slowly flip it on its head.

Removing all the fantasy elements from the story, the focus has a lot to do with family and the way they interact with each other, the roles that siblings and ourselves fall into. The deep obligations that transcend blood  and that bind people together.

I am a really big nerd when it comes to faerie and a character that had always haunted me was The Autumn Queen. She made her first appearance in a nightmare that I turned into a short story called The Red Shoes that you can find here. She’s never removed her claws from my imagination and I’d always intended to explore her story line. WYLT gave me the perfect opportunity to do that. It’s also given the chance to really explore Celtic themes (and in later books a few Arthurian) that I’ve always loved and wanted to write mash-ups of.

Music always plays a big role in my writing and helps give me a feel for the world in which I am playing in. I’ve released my WYLT playlist on Spotify for anyone who wants a soundtrack while they are reading the story. Its a pretty good mix of modern and classical (including a few waltzs that are mentioned in the novel) and is good at capturing many of my themes.

Pictures and art are also great at feeding my imagination for world building so I also have a massive Pinterest board that is covering all three of The Blood Lake Chronicles if you want to check it out.

My cover has been designed by the incredible Fiona Jayde who was extremely patient with my descriptions of what I was chasing.. ‘You know like old horror movies with the woman running away with a mansion in the background!’ She knew exactly what I wanted and has rendered it beautifully.

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WYLT is a mix of familiar and the new…there is a definite Jane Eyre and Beauty and the Beast vibe going on…but with enough new to keep it interesting.

To quote Rachel Hollis ‘You can pre-order the crap out of it‘ right here.

I hope you like it,

Love Amy and Duke (who does not understand Bookstagramming AT ALL.)

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Digital ARCs for Wylt !

Hello Readers,

I am run off my feet like a crazy person at the moment juggling work and a final assignment on the Dead Sea Scrolls but I wanted to stick my head in for five seconds and let you know I’ve put up an Exclusive ARC promotion for Wylt on Instafreebie!

I will be writing a proper post about Wylt closer to the date with various inspirations and what not but right now I am checking paperback formats and generally running about.

wylt2final-fjm_kindle_1800x2700Wylt is going to be out on the 10th of March (a paperback giveaway will be announced in a few weeks) but I would love to drum up some reviews on Good Reads so if you like the idea of a gothic romance that’s like the love child of Jane Eyre, Beauty and the Beast and a horde of blood sucking Fae…please click here and check it out!

 

 

 

 

WYLT: Chapter One – Sneak Peak

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Prologue

In the dream, the man smelled of horses and wood varnish as he gathered the little girl close in his arms. Wind whipped off the lake, but in her father’s arms, she was warm and safe. She held her stick sword firmly in one plump hand as he lowered her to the ground.

“You see these stones, Rhosyn?” he asked with a thick Welsh accent, placing a hand on the smooth black rock that rose out of the ground. “Do you know what they are?”

“Aye, Roger said they are faerie stones,” the girl answered, prodding one with her stick.

“Oh, did he now? And when did you have time to talk to the stableman?” her father questioned, heavy brows drawing together.

“When I went to see Mr. Eli’s horses,” she answered truthfully, knowing that her father wasn’t really angry with her. “Are they doorways to the Other Lands?”

“There are, God’s truth, little one.” Her father crouched down to be level with her. “Some nights, when magic is thick in the air and the time between times opens the worlds, the Seelie come through to dance at the lake. It is on those nights, my Rhosyn, that you must lock your window and your door, and pray that they don’t try to steal you away.”

“How can I tell if it’s a faerie?”

“They are so beautiful and terrible to look upon that there is no mistaking them for anything else. If you ever see such a one, dancing or hunting through the forest, you must find Mr. Eli as soon as you can.” Her father’s voice lost the storyteller’s warmth and became serious, “Promise me, Rosa. Promise me you will find him.”

“I promise, Da,” she swore, wondering what Mr. Eli could do that her father could not, should the faeries come.

“Good lass.” He kissed her head and got to his feet. They were almost back at their little cottage when the wolves came.

Then there was only blood, screaming and monsters, and her father was gone forever.

Chapter One- The Bad Omen

Rosa’s ears were ringing as she stepped out of the fire escape door and into the cold night air. She needed to get away from the noise of the crowded kitchen and the endless thrum of the party upstairs. She had been plagued with nightmares for the last three nights, and the bass of bad dance music was making her head pound.

I don’t know why you let Lucy talk you into these things, Rosa thought as she walked down the damp service alley behind the mansion and passed the expensive cars that had been parked wherever there was space.

She had agreed to do the catering gig for the high society party in The Boltens, but with the control freak hostess, it was shaping up to be more trouble than what they were paying. She pulled her coat tighter around her as she breathed in the autumn night air and tried not to wish for the cigarettes that she had sworn off three years prior.

The wind was rising, scattering the golden leaves off the ornamental trees and over the finely clipped yard. This kind of wind always reminded her of her childhood in the north, the sharp crispness holding the scent of wood smoke and lightning. With the wind came the nightmares every year without fail.

“A bad wind, that is,” a voice said, making Rosa jump. A homeless gypsy woman was an odd sight in an area as flash as The Boltens, but she leaned against a Porsche as if she owned it.

“I don’t know about a bad wind, but it’s bloody freezing,” replied Rosa.

The woman smiled. “Tell your fortune for a pound? You’ve destiny hanging over your head like a storm cloud.”

“I’m good, thanks. I don’t believe in fortune telling or destiny, but if you wait here, I can nick you something to eat from this party. Posh bastards ignore most of it at a gathering like this one.”

Rosa hurried back to the kitchen and placed rosemary lamb shanks into a large Styrofoam container. The catering staff were only going to throw out the leftovers, so Rosa filled another with pastries and cheesecake.

Outside, the gypsy was smoking a hand rolled, clove cigarette. She muttered under her breath as she glared at the security guards near the front entrance of the house.

“Don’t worry about those guys. They won’t bother you,” Rosa said as she offered the containers.

“Thank you, lady,” the gypsy said and gripped them in her bony hands. “You won’t accept a reading, but accept a warning…they’re watching you, girl.”

“Who is?” Rosa asked, looking about and trying not to laugh.

The gypsy checked over her shoulders before hissing softly, “The dead.”

“Everything alright down there, miss?” A tall security guard shined his torch at them from the end of the alley.

“Course, mate, everything is fine, just seeing my kitchen staff off for the night,” Rosa waved at them before calling out to the retreating gypsy. “Thanks for your help tonight, Susie!”

The security guard didn’t look convinced as he switched off his torch and continued on his rounds.

“What a weird old lady,” Rosa said as the gypsy disappeared around the next street corner. She was about to head back inside when a black Mercedes pulled up in front of her, and a suited man stepped out.

“Good evening, are you Miss Rosamund Wylt?” he asked formally.

“Depends on who’s asking.”

The man reached into the breast pocket of his jacket and took out a letter. Rosa took it between trembling fingers, her stomach dropping to her ankles as she spotted the heavy black seal and the ‘V’ insignia that haunted her nightmares.

“Have a pleasant evening, Miss Wylt,” the gentleman said before climbing back into the car and continuing down the lane.

Rosa looked at the letter for a long moment before swearing viciously and stuffing it into her jacket pocket.

***

Rosa was paralyzed. Fear shot through her body, robbing her of thought and breath. The shadows of the room crept over her like exploring fingers, threatening to choke her if she moved or cried out for help. Her body convulsed, pushing her out of the dream with a hard jolt and back into the land of the living. Dawn was making its way through the cracks in the curtains and her thrumming heart slowly stilled in her chest.

Rosa wiped the sweat off her face and looked accusingly at the letter sitting on her mirror table, its elaborate black seal broken in two. It had been a week since she had received her summons to go home to the north, the last place on earth she wanted to go back to.

Your mother is unwell, she needs her daughter at home, the letter had said, compounding her guilt. Rosa’s nights had been restless with dreams of never-ending corridors, dark forests and the feeling of drowning in long buried memories of her father’s bloody face. It was like living in a bad Poe poem every night and waking up feeling afraid and angry.

Home.

That word meant the tiny flat near the culinary school she had attended for the last three years. It wasn’t the dreary estate in northern England that didn’t even have decent Wi-Fi.

Who sends a letter these days anyway?  She thought before her inner voice prompted critically. Maybe they knew you wouldn’t answer your phone.

Rosa had hoped she would be left alone after she graduated from Oxford four years ago. She had studied literature and could speak Old and Middle English, but what she hadn’t been able to do was get a job in that field. The student wage in her account didn’t disappear, so she decided to follow her secondary passion for cooking and attend culinary school instead.

After years of education, she wanted to travel the world, work in the finest restaurants in each city to learn their delicacies, before moving on to another location. Graduation had gone as unnoticed by her mother as her university degree had, and Rosa had picked up catering jobs as she gathered her savings to leave London. Once the money from the last job had cleared, she would have left England behind her.

Now Rosa knew she had no choice but to go back to Gwaed Lyn. Her benefactors would send people to fetch her no matter where she ran. She had tried to escape to France as a teenager, and even though she was careful to cover her tracks, they still found her. Rosa had stepped off the train in Paris, and there had been a man in a black suit waiting to take her back to London.

In the last few days, Rosa had been forced to lie to her few friends, all who were going to Ibiza to celebrate their graduation. They hugged and teased her, calling her Nigella as they often had, and hadn’t questioned her further. What could she have said? They would never believe that she had no choice but to do what the letter asked.

Getting out of bed, Rosa washed her face in her small bathroom and pinned up her dark curls. Pulling on a green sweater, jeans, and high-heeled boots, she studied herself critically. She would turn thirty next month, and the plump softness of her youth had never quite left her. Her hair was her most redeeming feature; naturally, a rich curling auburn that framed her round face and dimpled chin. In her opinion, her hair made up for the size fourteen dress tag.

“Well, Rosa, that will have to do,” she told her reflection after drawing some eyeliner around her hazel eyes.

Pulling on her leather jacket to ward against the wind, she picked up her overnight bag with a sigh of resignation. The rest of her things had been placed in three large suitcases and had been picked up two days beforehand. She wondered if her mother would rummage through them before she arrived to try to discover what her daughter had been up to in the three years they had been apart. Rosa grinned at the thought of prim Cecily’s face finding her collection of vintage style lingerie. She may have had to wear drab uniforms in her job, but underneath was another matter entirely.

The train to Penrith would take four hours. Four hours of worrying what she was going to do, how sick her mother was, and how long she would be forced to stay at the estate.

“The Wylts have always served the Vanes, it is our honor and our duty,” her father had told her the month he had died. It was one of the only memories she had of him from her childhood, and the Vanes had to own that too. A family’s life lived in the shadow of another was no life at all.

What kind of an archaic concept were generational servants and masters anyway? If a Wylt didn’t serve them, it wasn’t like they couldn’t find someone else. The estate of Gwaed Lyn was hours away from anywhere. She would be resigning herself to a life alone with no friends and no chances of meeting anyone.

When Rosa reached Penrith, there would be a driver waiting for her, as the letter had instructed. She took it out of her pocket, running her fingers over the thick stationary and the carved V in the broken seal.

She could barely remember the estate, an ancient stone mansion that seemed ridiculously opulent for the times, but she remembered seeing that V stamped into gates and stone work. There was no question of who owned the place and everyone in it.

The only member of the family she could recall was the patriarch, Eli Vane. He had found her hiding in the stables one day, and she would never forget her fear as his sharp eyes had looked down his nose at her. He was imposing and wore the kind of authority that could never be fabricated. He had sent the letter, and the tone with which it was written had left no room for argument.

Rosa put her feet up on the train chair opposite her and pouted in annoyance at the bleak scenery flashing passed her. She would go to Gwaed Lyn for her mother, but after that, she was leaving, even if she had to take on Eli Vane himself.

 

“Seat taken?” A voice asked, jolting Rosa out of her snooze.

“Argh, no sorry,” she mumbled, quickly brushing the seat down in case she had left any dirty boot marks.

When Rose woke up enough to study her companion she wondered why she bothered. The woman was filthy. Her long dress and coat were splattered with mud, smelling of dogs and camp smoke. She was holding an empty takeaway coffee cup filled with coins. If living in London had taught Rosa anything, it was to ignore beggars, but in an empty carriage, she found it impossible.

“Hey, I know you,” Rosa said with a smile. “You were the woman the other night who was trying to read my fortune.”

“Of course I am. Where are you traveling to?” the gypsy asked.

“Home, I suppose. My mother is unwell,” Rosa answered awkwardly.

“You only suppose it’s home?”

“It’s not my home exactly. My mother is the housekeeper for a rich family.”

“Which family?” the gypsy persisted rudely.

“You wouldn’t know them, they are the old money types,” Rosa said. “She works for the Vanes.”

“Gwaed Lyn.” The gypsy spat a ball of yellow phlegm on the train carriage floor.

“You know it then.”

“It’s a cursed place. You’re better off getting your mother out of there, girl. No wonder the dead are following you.” The carriage door slid open, and an inspector stepped through. He frowned at the gypsy.

“Tickets please,” he said firmly.

“Here’s mine,” Rosa said brightly and then pretended to fumble about in her pockets. “Just give one moment, and I’ll find my aunt’s ticket. I know I’ve got it here somewhere.”

“Your auntie, you say?”

“Of course, she is my Auntie,” Rosa laughed. “My forgetful auntie who loses her ticket all the time.”

The gypsy pulled out a Snickers wrapper and slapped it into the inspector’s hand. “Here’s my ticket,” she smiled up at him with dirty teeth.

The inspector turned the wrapper over and handed it back. “Everything seems to be in order. Have a pleasant trip, ladies.”

“How’d you do that?” Rosa asked once he had left the carriage.

“He’s an idiot and doesn’t see what’s right in front of him,” she replied with a huff. “You’ve got a kind heart, girl. Maybe that will be enough to shield you from that evil place.”

“Gwaed Lyn isn’t evil; it’s just full of self-indulgent rich people.”

The gypsy took off one of her dirty silver necklaces and pushed it into Rosa’s hand.

“You did me a good turn the other night, so now I repay the debt. Wear it, it’ll protect you,” she got to her feet. “Remember, girl, it’s not called The Blood Lake for nothing.”

Then she was gone, moving about the carriage shaking her cup, leaving Rosa holding the sticky pendant.

Hours later, Rosa got up to stretch her legs, the uneasy feeling in her chest growing the further north they traveled. In the tiny bathroom, she scrubbed the necklace with industrial pink hand wash. As she scrubbed, the ridges in the silver disc became the shape of a face surrounded by six wings. It was an odd trinket, but something in the gypsy’s eyes had unnerved her. Despite all the voices in her head telling her she was being a superstitious ninny, Rosa clipped the chain around her neck, tucking it into her sweater to sit cooly against her skin.

It was late afternoon by the time Rosa stepped off the warm train and into the freezing winds at Penrith. The working day had finished, and the station was packed with people and students staring at their phones. Standing soldier straight in the crowd was a tall man in a black suit and hat. He looked more like a bodyguard than a driver.

“Miss Wylt,” he rumbled, taking her carry bag. “I’m Caruthers, this way please.”

In the car park, he opened the back door of a black Mercedes. “You’ll find refreshments in the cooler bag should you require them.”

“Thank you,” Rosa said as he shut the door behind her. She settled into the deep seat as he moved silently through the streets and headed west on the A66 highway.

Rosa sensed her mother’s handiwork as she opened the cooler bag and found a flask of tea, sandwiches, and freshly baked ginger cookies. Rosa sipped on the herbal tea, relieved to wash the taste of watery train coffee from her mouth, and watched the sun go down. The radio was playing Bach’s Goldberg Variations, and she felt a fresh wave of exhaustion.

“We are here, Miss Wylt,” Caruthers announced jolting Rosa awake. A sense of dread settled on Rosa’s shoulders as the electric iron gates opened in front of them and they wound their way through a neatly manicured park lit by elegant lampposts.

Gwaed Lyn’s lights were glowing as it rose up in a stone fortress in front of them. The story was that a Vane ancestor had built it after their return from fighting in the Crusades. It was a monstrous, sprawling mansion of gray stone with four square towers. It had been renovated during the centuries in various stylistic whims of the Vane descendants, and now it looked like a neo-gothic castle, with a flare of art nouveau when it came to the more recent addition of the greenhouse. It was exactly how she remembered it, as if time had stopped completely.

Rosa could make out the hedges that hid the Wylt cottage, and further down the white road were the large stable yards. Caruthers drove around the back of the mansion, stopping at the kitchen service entrance and she climbed out into the cold twilight.

The forest had grown taller in her years away, and for a moment, Rosa’s nightmares came rushing back. Her mother called out as she waved excitedly from the top of the steps. She had aged, and Rosa felt another wave of guilt for not visiting sooner.

“Rosamund!” Cecily said warmly and wrapped her arms around her tightly, still smelling of lavender soap and Chanel perfume. “You look absolutely bone tired, but don’t worry, because I have food inside ready for you.”

“Hey Mama,” Rosa managed. She turned to thank Caruthers, but he was already back in the car, her bag beside her on the steps. “What a strange guy.” She shook her head.

“A man of few words is our Caruthers,” her mother chuckled. “Come on then, and I’ll show you around.”

Rosa turned to pick up her bags as a huge black horse broke through the trees, white gravel scattering as it hit the driveway. Its rider sat tall and broad in the saddle, moving easily with the galloping beast.

“Oh, don’t let him frighten you. That’s Mr. Balthasar coming back from his afternoon ride,” Cecily said, ducking her head politely as the rider slowed his horse to a walk. Rosa tried to remember a Vane called Balthasar, but her memory was stubbornly blank.

As he moved passed them, he touched the brim of his hat in an old-fashioned acknowledgment, and with a flash of a smile, he disappeared towards the stables leaving Rosa staring after him.

 

Like it so far? Preorder it here.

WYLT Preview – An Origin Faerie Tale

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For the first Wylt preview I thought I would share a faerie tale, found in an ancient book in the library of the Gwaed Lyn estate….

During the beginning of the world, the Great Creator God of the Aos Si fashioned night with a moon and stars to brighten the dark sky, forming the Guardians of the Night and naming them the Unseelie. All things must balance, so Day was created, and the sun was born with a brightness and a warmth to illuminate and nourish all of the Aos Si, and the Guardians of the Light were called Seelie. In Day, the Creator also crafted shade, dark places that could hold the balance.

It was foretold the world would move in four great seasons and that the rule of these seasons would fall to the Guardians accordingly. Summer would be ruled by the warm light of the Seelie, and the dark, cold winter would be ruled by the Unseelie. During the time of the autumn, the Seelie would slowly relinquish its power to the rule of the Unseelie, just as with the coming of the spring the Unseelie would relinquish its power back to the Seelie. This was the Great Accord, and during the First Cycle of Summer the Seelie thrived becoming stronger, more beautiful and their magic powerful. But with power also came corruption, and as the summer began to wane the Seelie Court started to despair at the weakening of their magic. It was not long before their voices were shouting their distrust and discontentment at having to relinquish their rule to their Unseelie brethren.

Autumn began to move through the lands, the green that the Seelie cherished so dearly began to turn to gold, red and brown. Furious that the Unseelie were taking their power a great war ensued breaking the land and soaking it in the blood of both sides of the Fae.

In the final days of the Last Battle, with both sides nearing extinction, the Seelie Queen created a spell that would have the power to hold the remaining power in her court forever. She convinced her King to hold a court with the Unseelie with the promise of a peaceful discussion to try and come to a new accord. Then, as the two kings sat down together, the Queen of the Seelie took her husband’s sword and slew them.

The Queen knew that all things must be balanced and mixing the power of the two kings, she cast her curse over all of the Aos Si. The seasons within the lands would move no longer, sealing it into an eternal autumn, making it so she would never have to relinquish her power to Unseelie kind.

The Unseelie King was survived by three sons; Bleddyn the eldest and the heir to the title of Seren Du, the Black Star, Trahaearn and Gwaen. Taken by the Seelie, they were made hostage slaves to the Autumn Queen. Unlike the other Unseelie kindred, the princes were fair to look upon, and as they grew their pale white skin, soft black hair and bright eyes became admired by the court and the Autumn Queen.

To all, the three seemed compliant and content in their situation. They never flinched at the sneers and insults dealt to them by their enemies or fought back when they were abused by the Queens consort, Ryn Eurion.

Deep in their hearts, the princes were dreaming of escape and none more so than the eldest, Bleddyn Seren Du. In their chambers at night, he would tell his young brothers stories of their kingdom and of the great land through the portals, a land where there was no war against them, where the Autumn Queen had no power or influence. Bleddyn practiced his father’s magic in secret, teaching his younger brothers the secret powers of their kind, how best to fight the Seelie, and all the while, he planned their escape.

Knowing that the only way to protect his brothers was to be above suspicion, Bleddyn set about earning the favor of the Autumn Queen. There had long been whispers around the court that the Queen’s appetites had become insatiable and distorted in her proclivities since the death of the King, many fearing to become the object of her desire. Bleddyn began to pay the Queen attention until at a ball, Ryn had men hold him down, and they beat him. Through the heavy blows, Bleddyn continued to watch the Queen, his eyes burning with an unspoken promise.

“Why do you not look away though you are beaten for it, insolent slave?” she asked on the fourth day.

“My glorious, Queen, how could my eyes look at anything else?” he replied. That night, instead of being dragged back to a cell, Bleddyn was taken to the Queen’s chambers. Dismissing her attendants, the Autumn Queen took the Unseelie prince into her milk baths and gently tended to his wounds. He watched her silently with the same intensity that he wore during his beatings.

“You do not fear me,” she said, “You do not fear pain or retribution.”

“No, my lady,” he answered as she ladled the healing milk over his battered body. Her white fingers dug into the bruises on his arms. His breath sucked in sharply but he did flinch or pull away from her. Her red lips curled.

“Do you find the pain exciting, Unseelie?” she asked lifting herself up so that he could see the beads of milk dripping down the sloping curves of her breasts. Bleddyn grabbed the Queen by her long white neck, pinning her to the stone wall of the bath.

“Do you?” he demanded.

The Autumn Queen’s eyes flashed in anger, and she struck him, her nails opening his pale skin. He did not move as the crimson drops of blood fell to mar the white milk. Bleddyn watched her, his body towering over hers and the anger in her eyes melted under the heat of her own desire. She kissed him, biting his lips in her eagerness. Bleddyn allowed it only a few moments until he held her back firmly.

“No.”

The Queen was shocked, her fury growing inside of her. “I am your queen. I own the very breath in your body.”

“But you do not own my heart or soul,” Bleddyn whispered in her ear. “And if you take me unwillingly you will never know the secret to the greatest pleasure that only the Unseelie can give you. It is dark magic, and it has never been given to a Seelie before. It is not something you can take like you took our lands. It must be given.”

Bleddyn walked from the pool, leaving the Queen wondering what the secret magic could be, for the only thing she really loved was power.

From that night the Autumn Queen forbid any of the Court from touching the Unseelie princes. They no longer had to wear the chains and slave collars around their necks and hands in the ballrooms. Bleddyn acted no differently from this special allowance only to bow to her in silent thanks on behalf of his brothers.

This act sparked malcontent in many subjects for the Unseelie princes were beautiful, unusual creatures that they had enjoyed using for whatever pleasure they saw fit. All were afraid of the older prince, but the Queen’s edict had robbed them of their treasured entertainment.

As he knew she would, the Queen summoned Bleddyn two nights later. She was wearing a fine gossamer shift that accentuated, rather than hid the nakedness underneath it. Her attendants were dismissed, leaving her alone with him once more.

“Come sit beside me,” she commanded.

“I would rather stand, my queen,” answered Bleddyn politely.

The Queen’s eyes flared. “You would deny me this one small thing after the great favor I have shown you?”

“I am grateful, my queen, but the chambers that Lord Ryn has locked us in are very cramped. We enjoy being able to stand properly when we can.”

The Queen’s red brow furrowed as she got to her feet and walked slowly about him. She snapped her fingers and his threadbare shirt melted away. Bleddyn did not move as she scraped her long nails down his back.

“Why do you resist me so much, dark one? Why do you hold yourself back from the pleasure I offer you?”

“I mean no disrespect but it is my awe of you that I must control myself. The Unseelie lovemaking is far more passionate than the Seelie and I would not wish to harm the queen for fear her wrath would turn to my brothers. It is a far better thing to resist what you offer.”

“I will not harm your brothers if you lay with me,” she said as she put her hand in his long, black hair, pulling it hard as she kissed him. His hands gripped her hips roughly, lifting her up. He carried her over to her bed of red silks, pushing her down onto it. Gripping the front of her shift, he tore it in half. He bit her breast hard enough for her to cry out in sudden pain. Bleddyn let her go and got back to his feet. A bruise was already blossoming like a purple autumn flower on her pale skin.

“I am sorry, my queen, but I cannot come to you as I am. You are the greatest queen in the entire world. I will not touch you with my soiled hands and body. It would be insulting to you.”

“You insult me by denying me,” the Queen said, touching the bruise, “but this last request I will grant you.”

The Unseelie princes were moved that very night to one of the finest chambers in her court. There they had servants bring them hot water for baths and new clothes of the finest silks and velvets. An elaborate meal was brought to them, and the princes ate well before hiding their knives in the folds of their clothes, listening as Bleddyn laid out his plans to them.

The next night, they went to the ball, the younger princes given free rights to roam where they pleased. Bleddyn danced with the Autumn Queen and made her laugh with his observances of the dour-faced courtiers. When she retired, she took Bleddyn’s hand openly in front of her advisors and led him to her chambers.

“I have given what you asked for, Unseelie, now give yourself to me as promised,” the Autumn Queen demanded.

Bleddyn took the knife he had stolen from the banquet dinner and held it against her chest. The Queen gasped as he ran the flat side of the cool blade down her skin.

“You mean to kill me, Unseelie?” the Queen asked, laughter bubbling out of her.

With a steady hand, he slid the blade down the front of her jeweled bodice and cut the ties one by one until her body spilled free from it. She tried to move, but he held the blade to her throat, stilling her as he kissed her breast through her thin undergarment. Two quick flicks of his hand and the shoulders of her gown tore away. A thin line of blood welled up where the blade had caught her, and he quickly put his mouth over it, drinking a drop of her blood before it healed. The Queen kissed him, viciously.

“Tell me what the Unseelie magic is,” she demanded breathlessly.

“Can you not feel the spell beginning to move through you?” Bleddyn asked as he ran the blade between her breasts, shredding the fabric and leaving a line of welling blood. Her back arched as he licked it, her eyes clouding, unseeing of the small cuts he was making in her. He cut the skirt of her dress to shreds, the Queen trembling with fear and excitement to be in the hands of her armed enemy. Wherever she felt the cold touch of the blade was followed by the sensation of his tongue until she was dizzy with need.

Bleddyn felt strength returning to his limbs, the magic in the blood filling him. With every cut, he grew stronger, and the Queen, caught up in her own desire, grew weaker.

Every moment he spent with her, his brothers were making their way to their agreed meeting place. Taking strips of her ruined dress, he tied her arms above her head, her legs to the posts of her bed.

“You mean to make a prisoner of me, Unseelie? I could burn these bonds with a thought,” she mocked.

“I would never want to imprison you, my Queen. My power is no match for yours,” he said as he ran his long body along hers, making her shudder with anticipation. He gripped her hair in his hands, lifting her pale white neck up toward him.

“Do you want to know want to know the secret magic of the Unseelie, my Queen?” he whispered against her skin.

“Yes…yes, my prince, tell me,” she whispered, her eyes gleaming.

“Then you shall have it,” Bleddyn watched her face change in fear as his teeth lengthened. Before she could cry out, he bit hard into her exposed throat, sucking the scream from it.

In her blood, he saw all the wards, the guards and the ways to escape their underground prison. He saw the spells she had cast, felt her magic in every drop. He saw memories and drew the one of the night of his father’s death to him. He saw how Ryn Eurion had killed his mother and delivered the heart to the queen. He watched as she ate it, stealing all of his mother’s magic into her.

He bit harder, his urge to kill more potent than anything he felt before but he saw the magical ties she had within the palace itself. If she died, it would turn against them and he and his brothers would never escape.

He drained her until all of the youth shriveled out of her and her true age was revealed. Red hair turned to white, her plump lips and body shriveling underneath him. A single drop of blood he left in her before he let the body go.

Upon the wall hung the sword of this dead father and Bleddyn held out his hands, whispered a word and Widow’s Fury flew from its bonds and into his hand. He heard it call out to him for Seelie blood but he silenced it and placed a glamour spell upon it so none of his enemies could see it. He did not spare the Queen a glance as he left her chambers.

“The Queen asked not to be disturbed for the rest of the evening,” he instructed her guards and they shared a knowing smile.

Under the gaze of the Seelie courtiers and warriors, Bleddyn walked through the halls of the court and he and his brothers escaped through the supply tunnels. Using the Queen’s magic, he passed through the wards until they ran out into the crystal night. So overwhelmed they were to see the sky and stars again that they stood in awe.

“Come, my brothers, our new world awaits,” Bleddyn said and they ran through forests to a doorway between the worlds. Not knowing where they were going or what lay before them the three brothers took each other’s hands and walked through the spaces of the world until they found the land of the creatures called Man.

They were free from the rule of the Autumn Queen but she did not die as Bleddyn had hoped. She recovered her strength and sent warriors in between the worlds to hunt and kill the Unseelie that evaded her and the prince that tricked her.

She hunts them to this day in her relentless pursuit to try to reclaim what was stolen from her: her pride, her dignity and her heart.

Liked this preview? Pre-order Wylt here 

Guide to the classics: the Arthurian legend

Original article by Amy Brown , Doctoral Assistant in Medieval English, University of Geneva on The Conversation

The early trailers for Guy Ritchie’s King Arthur: Legend of the Sword (2017) were released last (northern) summer, which means my favourite season in life as a medievalist academic is coming: the season of The Truth About King Arthur. It doesn’t matter if the movie itself is good or bad: the question I will be getting is “but how accurate is it?” Does it represent the “real” legend of King Arthur?

Knowing Guy Ritchie’s films, the answer is going to be a glorious “no, and it’s not even trying”, but modern audiences often seem to be attracted to the idea of an adaptation that is more true than others.

The 2004 film King Arthur, a glorious romp featuring Kiera Knightley in an impractical outfit fighting hand-to-hand with an even more impractical short bow, billed itself as telling the “real” story of King Arthur as we’d never seen it before. Set, ostensibly, in the 5th century, it promised the story of a beleaguered Briton warlord rallying his people against the Saxons – but it also gave us a love triangle featuring Arthur, his wife Guinevere, and the knight Lancelot; a tale which first appeared in the 12th century, in France.

Can you tell a King Arthur story to a modern audience without including the royal love triangle? The Australian animated series Arthur! And His Square Knights of the Round Table (1966), aimed at young audiences who presumably weren’t supposed to comprehend a complicated narrative of love, betrayal and sin, is nevertheless peppered with in-jokes about the Queen’s devotion to the comically inept Lancelot.

The BBC’s Merlin (2008), a delightful festival of historical inaccuracies, made the triangle a key part of Guinevere’s character arc for several seasons, ending with poor Lancelot as the tool of necromancy and plots against the throne.

Interestingly, Guy Ritchie’s Legend of the Sword seems to have cast no Lancelot; it remains to be seen if modern audiences will accept a Lancelot-less Camelot as “real” Arthuriana. But whether they do or do not, Ritchie’s work will be compared to an imagined true story of King Arthur, which never existed, even in the Middle Ages. The medieval sources dealing with King Arthur are numerous, inconsistent, and wildly ahistorical in and of themselves.

The historical sources

‘King Arthur’ by Charles Ernest Butler. Charles Ernest Butler [Public domain], via Wikimedia Commons

The name Arthur first appears in the work of the 9th century Welsh historian Nennius, who lists twelve battles this Arthur fought against invading Saxons. Similarly, the Welsh Chronicles (written down in the 10th century) make some references to battles fought by Arthur. On this shaky foundation, along with a scattering of place-names and oblique references, is an entire legend based.

Ask any scholar of Arthurian literature if King Arthur really existed, and we’ll tell you: we don’t know, and we don’t really care. The good stuff, the King Arthur we all know and love, is entirely fictional.

The “Arthurian Legend” really kicked off in the early 12th century, with Geoffrey of Monmouth’s History of the Kings of Britain (1138), which purported to describe the entire history of Britain from the day dot until about the 7th century.

He describes the founding of Britain by the (mythical) Trojan warrior Brutus; he covers a lot of the historical events described in Nennius’ earlier work; and his account is the first to really describe King Arthur’s reign, his wars against the Saxons, and the doings of the wizard Merlin. Some elements, like the part where Merlin helps Arthur’s father Uther deceive and sleep with another man’s wife, thus conceiving Arthur, remain key parts of the Arthurian legend today. Other elements modern audiences expect, like the Round Table, are still absent.

Geoffrey of Monmouth wrote in Latin, and his book was read and treated as a history book in the Middle Ages. But very quickly, the material was re-worked into French and English poetry. The Norman poet Wace, whose audience included people living in both France and England, based his Roman de Brut (1155) on Geoffrey’s History. He added many things to the story, including the Round Table itself.

Around the turn of the thirteenth century, an English poet named Layamon took both Geoffrey and Wace’s works, combined them, and added more in his long English poem Brut. Arthur is not the only subject covered in the Brut, but it’s the first treatment of King Arthur in English.

These versions, and some of the later English romances like Of Arthur and of Merlin, focus on battles and political tensions. Aside from Merlin they feature few supernatural elements, and do not usually devote much attention to love. In these versions, the traitor Mordred who defeats Arthur at the battle of Camlann is usually his nephew, not his illegitimate son; and Guinevere may willingly marry him after Arthur’s death.

The Romances

Arthurian romance is where things really start getting fun, from the 12th century onwards. The earliest romances did not focus on Arthur himself, but on various heroes and knights associated with his court.

The very first might be the Welsh Culhwch and Olwen, the events of which rarely make an appearance in later Arthurian works, but which share with them a common basic plot structure: a young man needs to prove himself to win the hand of a fair lady, goes to Arthur’s court, undergoes a series of supernatural adventures, and is eventually able to marry his lady and settle down.

‘Arthur’s Tomb’ by Dante Gabriel Rossetti. Dante Gabriel Rossetti [Public domain], via Wikimedia Commons

The earliest surviving French Arthurian romances are by an author named Chrétien de Troyes. He wrote five romances, of which the most fun, in my humble opinion, is The Knight of the Lion (1176). The most famous is The Knight of the Cart (1180), which introduces Lancelot and his love affair with Queen Guinevere.

Hot on its heels came The Story of the Grail (1181), which introduces Perceval and the Grail quest – although Chrétien himself never finished that work. At around about the same time, a separate tradition of romances about the knight Tristan and his affair with Queen Isolde of Cornwall was also circulating.

Over the 13th to 15th centuries countless romances were written in French and in various other European languages, telling tales of the adventures of individual knights associated with King Arthur.

For instance, in the 14th century English poem Sir Gawain and the Green Knight (1390), a young Gawain is challenged to cut off the head of the Green Knight, in return for which the Green Knight will cut off Gawain’s head a year later. Unfortunately for Gawain, the green knight has supernatural headless-survival powers which Gawain lacks, and so the adventure unfolds as Gawain seeks to keep his bargain and his head.

After Chrétien de Troyes’ day, the Grail quest story became extremely popular: there are several continuations of his unfinished poem, a complete reworking in German by a Wolfram von Eschenbach, and many translations. In these, Perceval is the hero who becomes keeper of the Grail. In the complex French prose version known as The Quest of the Holy Grail (1230), Lancelot’s illegitimate but extraordinarily holy son Galahad takes that honour.

How Sir Galahad, Sir Bors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s Sister Died by the Way by Dante Gabriel Rossetti. Dante Gabriel Rossetti [Public domain], via Wikimedia Commons

The death of Arthur

If you read no other piece of medieval Arthuriana, read the 13th century French prose romance The Death of King Arthur (1237). The Penguin translation by James Cable is eminently readable, and cheap too. This romance circulated in the middle ages as the last of a “series” of Arthurian works beginning with the Grail’s arrival in Britain and ending with the break-up of the Arthurian court and Arthur’s own death. We call this whole series the Vulgate Cycle, or the Lancelot-Grail Cycle.

This series, rather like many modern fantasy series, was written out of order: the long romance known as the Lancelot Proper and the Quest of the Holy Grail (the one with Galahad, mentioned above) were composed first, by different authors; very quickly afterwards the Death of King Arthur was added, and then the prequel material dealing with the origin of the Grail and the birth of Merlin was added.

In the Death of King Arthur, the Arthurian court is aging. Lancelot has lost his chance at the Grail, the court’s harmony is shattered as Guinevere’s adultery comes to light, Mordred betrays Arthur, and everything falls to pieces.

A detail of the painting The last sleep of Arthur by the Pre-Raphaelite painter Edward Burne-Jones, 1898. via Wikimedia Commons

Fast forward to the 15th century, and an English knight named Thomas Malory, serving time in prison in Calais for attempting to abduct a young heiress, gets hold of the Vulgate Cycle, the Tristan romances, and a range of other material, and produces the most famous piece of English-language (despite its French title) Arthuriana: Le Morte d’Arthur. Malory, whatever else he might have been, was a completist, and he tried very hard to make a single coherent story out of the many contradictory he sources he had.

Chances are, if someone in an English-speaking country says to you they’ve read the “original” story of King Arthur, it’s Malory they mean. Its great popularity is explained by the fact that William Caxton put out a printed edition in the late fifteenth century. You can find that for free online, but the best reading version is the Oxford World’s Classics translation by Helen Cooper.

The ‘real’ Arthur today

Very few people get their first idea of King Arthur from a medieval text, today. When I taught Arthurian classes at Sydney Uni I used to ask the group to describe their first encounter with the Arthurian legend – it got oddly confessional at times, liking asking people to describe their religious conversions or coming-out experiences.

A lot of people my age and younger met Arthur through the movie The Sword in the Stone (1963), although in my case it was the infinitely funnier and more terrible Quest for Camelot (1998).

I was reading Arthurian stories long before I learned that the way we’re supposed to judge an adaptation in the modern world is its “fidelity” to its source. I loved Howard Pyle’s The Story of King Arthur (1903) and the 1998 miniseries Merlin and the ridiculous BBC children’s show Sir Gadabout (2002), and the last thing I worried about was whether or not they incorporated exactly the same plot elements.

There’s a distinct pleasure, though, in reading your favourite story told again in new ways: Sir Gadabout was so funny to me precisely because it plays fast and loose with elements that are treated as sacred in the solemn Victorian style of Howard Pyle, or the serious moralising of T.H. White’s Once and Future King (1958).

Ask a group of medievalists what the best Arthurian movie is, and 95% of us will answer Monty Python and the Quest for the Holy Grail (1975). The reason for that is not, as anyone who has seen it can guess, because it is exceedingly faithful to Thomas Malory’s monumental work, or to any other particular text.

Monty Python and the Holy Grail (1975) EMI Films

What Monty Python did so brilliantly was take the cultural “idea” of Arthur (perhaps at that time best encapsulated in the musical Camelot (1967)), along with a broad knowledge of Arthurian traditions both medieval and modern, and have fun with it on various levels. You don’t need to have read the weird romances dealing with the Questing Beast to laugh at the Black Beast of Argh, for instance, but if you have, knowledge of the “original” can only improve your appreciation of the adaptation.

And so I contend that whether or not Guy Ritchie includes Lancelot is immaterial. As far as I’m concerned it’s not a real Arthurian movie unless it contains the Beast of Argh, and that’s the stance I’m sticking to.

Readers interested in the history and development of Arthuriana could consult the second edition of The Arthurian Handbook (Routledge, 1997), or explore the texts, images and mini-histories at The Camelot Project.

 

Failed NaNoWriMo but still got a book out of it.

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Those who know me know that I’ve never taken failure well even though I seem to be turning it into a spectacular kind of performance art piece in which I live my life.

This isn’t a bad thing.

Some of the greatest things have happened to me in the middle of a grand failure; I met my awesome partner failing at a job; I self published after failing to pick up a publisher and it is still one of the best things I’ve ever done just to name a few.

Most of the time my failures also result in a book. I’ve actually developed the mantra “Okay I’ve failed but at least I’ll get a book out of it.” The annual NaNoWriMo Word Orgy was no different. It was the first time I’d officially signed up to do it and I bombed 7k words from the finish line. Just to put it into perspective, I do at least 2 unofficial writing challenges a year and I nail them so wtf was so different this time around?

Some books are not meant to be ‘writing challenge’ books. The one that I was working on (that has no real title) is not meant for a challenge. I kind of knew this going in but I thought ‘No Amy, you need to do this because you have Dead Sea Scrolls next semester for uni and you need to concentrate on that and not be trying to write a new book at the same time.’  So I had a chapter plan of the book and the first 30k words and I still went ahead with it.

Considering my headspace it turned out better than I had expected. In fact it’s probably the best thing I’ve ever written and yet I don’t know if it will ever see the publishing light of day. Maybe it’s a story I needed to write just for me or to figure out its not going to work. It still needs 10k words. I’m certain that there are parts that I’ve missed out or thought I’ve written amidst the tangled sheets and awkward elbows of the word orgy mindset.  It’s been printed and bound and ready for a read through on the weekend to make notes on where the gaps are.

It’s about an exorcist. It’s probably going to be classed as a Metaphysical Thriller. It’s a strange book that’s very unlike anything I’ve ever written. It’s weird feeling when you pick something up that you’ve written and it feels unfamiliar to you. In the whole scheme of the Amy Canon it’s a prologue book leading into a book about Mychal, a character from The Firebird Fairytales. It’s going to be very stand alone series though so any reader could pick up any series and don’t really need to know their way around the Firebird world. There is the classic Amy style of mashing up stories but this time instead of Finnish or Russian I’m getting Biblical. I’m quite positive it will confuse and annoy many. 78b181b34210edad9451ec729196ae11

The Mychal book is another of my failures. I started writing it in 2014 and I have started from scratch and re-written it four times, four different ways and haven’t been satisfied with any version. It needed my exorcist and as I embark on the great number Five version I’m hoping that it’s not another failure.

I’ve been talking to a lot of writers on Twitter that are talking about ‘Do Over December’ because the maelstrom of rage of horror that was November has devastated a lot of NaNo’s word counts. I considered getting involved but I’m okay with owning my failure. My brain is already moosh and I have the Dead Sea Scrolls to dive into (and hopefully not fail) and let Ancient History renew and inspire me.

Update in publishing land is that I received my covers for the new book Wylt and they are beautiful. I honestly couldn’t ask for a better job. I can’t wait to share it with you all closer to the date.

I’m changing editing dates and pushing out deadlines because that’s what I need at the moment to self care. The world is a crazy place right now with a lot of fear and hatred so remember to switch it off and find your own way to self care.

Celebrate your failures as well as your victories, you never know what will come out of it.

Stone Circles, Gothic Mansions and a Touch of the Fae

Hell0 Everyone

I kind of owe you all a update on the Land of Amy, a proper one, not just lots of stuff about exorcisms.

I’ve been super busy the last eight weeks getting together structural edits on the upcoming release called Wylt. It’s my about as close to a romance you guys will ever get from me and its book one of a new series. I’m not going to say too much about it just yet but I can tell that it involves the following:

  • Gothic Mansion
  • Ghosts
  • Plucky Heroine
  • Blood
  • The Fae (not the nice kind)
  • Family drama
  • Stone circles
  • Welsh Myth

Also, I am completely in love with it. I know it’s kind of narcissistic to admit it but I am. I finished its sequel Blaise in July. For those who have read The Firebird Fairytales yes, THAT Blaise.  I’ve always been a classic gothic genre junkie so I’m really excited that I’m finally going to release something…especially mashed up with a bit of Welsh myth. It’s in cover design at the moment so really can’t wait to see how it turns out.

In other news, I’m winding down one semester of uni (publishing – don’t get me started how disappointed I am in it) and winding up for another (The Dead Sea Scrolls – dying of excitement) so I am a bit hit and miss.

I am doing NaNoWriMo officially this year for the first time. I’m okay on a writing challenge but November is always an odd, busy month for me so I’m plugging away on the new WIP. It’s about an exorcist that lives in Melbourne and is like an unofficial prequel to a Mychal book (yeah that Mychal). This is why you are seeing all the random exorcist articles on the blog. I’m re-blogging so I can mostly find them again and keep track on various chunks of research. So far it’s a rather random book. I am moving between really liking it and being really worried about it. More so than I think any other book I’ve written. I’m about 35k words in. We’ll see how it turns out by the end of the month.

What else? I’ve been watching some amazing TV at the moment, but the ones that have been really rocking my story teller boat are:

  • AMC Preacher. (quality watching. Weird. Awesome. Violent and the best kind of wrong).
  • Fox’s The Exorcist (so effin good, pacing is on point every single episode).
  • HBO Westworld (oh man, this show needs its own Blog. Seriously so many questions. Anthony Hopkins at his finest.)
  • BBC America Dirk Gently (adapted from Douglas Adams books. Delightfully weird. Tight script writing.)

What else?

I’m worried about America. It’s like a dependable sibling has gone bat shit fucking cuckoo banana pants and humming in a faintly cult vibe of sheer madness. Patrick Rothfuss has a good blanket fort solution. I highly recommend that.

I’ll let you know when I have release dates on Wylt. You’ll get some teaser snippets and other treats, I am going to try and get a promotions only newsletter up and running soon too.

Stay safe in your blanket forts peeps

Amy